Kumi Lach Rayati

In Hebrew

In English – ‘Rise up, my love, my fair one’

Composition and audio © Alexander Massey 9 Dec 2015

This recording and a version of this article were published on Ritual Well (USA) as ‘Arise, my love‘.

English duet version (a recording with women’s voices is coming soon!)

Hebrew duet version (a recording with women’s voices is coming soon!)

I wrote this song in the same week that I wrote Libavtini achoti chalah. Both songs draw on verses and phrases from Song of Songs. The purpose for writing was very clear. Two friends of mine, Ella and Natasha, were getting married, and I wanted to offer them music for their wedding based on traditional Biblical text. The challenge was that there was, of course, no explicit Biblical narrative of a same-sex marriage.

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Kol B’ramah, Kol D’mei

Jer. 31:15; Gen. 4:10; Jerusalem Talmud, Sanhedrin 4:1 (22a)

On Yom HaShoah v’HaGevurah, we commemorate both the victims of the Holocaust, and those who heroically resisted. This piece was written to honour those people. The three Jewish texts offer a space to reflect on the preciousness of human life, and our personal and collective responsibility to protect it. The piece begins with the voice of a mother weeping for her dead children. In the second text, the voice of God asks, ‘What have you done?’; and the voice of each one of those who have died cries out to all of us. The Talmudic Rabbis noted that in Gen. 4:10 the Hebrew uses the plural – ‘bloods’. The Rabbis warned that killing one person kills off the possibility of countless descendants, a ‘whole world’.

The music draws on the nusach of Musaf at Yom Kippur, the service that includes the honouring of Jewish martyrsBeginning with wailing and jarring dissonance, the music gradually transforms to gentler melodic shapes and harmonies. This echoes the sequence of texts that takes us from death, loss and desolation, through awakening conscience and responsibility, to dedication to life, and therefore hope.

The first verse begins with kol (quf-vav-lamed) – a single voice crying out. The second verse begins with the same word, but this time kol represents a voice echoing down through the generations; in the third verse (and fourth verse), the opening word sounds the same (being a homophone) – kol– but this time, it is spelt kaf-lamed, meaning anyone, and therefore, everyone. So, the song begins with a single voice crying out, and ends with a challenge for each one of us to consider our response.

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Halleluyah No. 2 (Psalm 150)

Composition and audio © Alexander Massey, October 2011

Psalm 150 not only completes Book 5 of the Psalms (tehillim), but is the last of all the Psalms. As such, its message is particularly important as a summation – a vision – of what our central intention should be in prayer and liturgical song. The Psalms cover a huge range of human experience and emotion, including anger, pain, doubt, sorrow, yearning, hope, pleading, revenge, wonder, as well as – of course – praise and thanksgiving. Psalm 150 focuses on hallel ‘praise’, a word used many times in this text. It is recited as part of daily morning prayer in the psukei d’zimra (verses of song), and in the musaf amidah (standing prayer in the late morning service) at Rosh Hashanah (Jewish New Year); and v3, mentioning the shofar (ram’s horn) is found in the repetition of the morning amidah at Rosh Hashanah.

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V’shavti B’veit Adonai (Ps 23:6)

Composition and audio © Alexander Massey 21 Sept 2015

Ach, tov vachesed yird’funi kol y’mei chayai; v’shavti b’veit Adonai l’orech yamim.

Surely, goodness and mercy will follow me all the days of my life.
And I will dwell in the house of the Lord forever [lit. for length of days].

One of the most spiritually charged seasons in the Jewish liturgical year is High Holy Days, including the penitential month of Elul, the new year celebrations of Rosh Hashanah, and Yom Kippur, the Day of Atonement. Over the 24 hour fast of Yom Kippur there are six services, and perhaps the most intense of these is Yizkor, the service of remembrance for  those who have died. The prayers and readings sear the heart, and provide expression for our grief, and an opportunity to explore our thoughts and feelings about death.

In the Reform UK prayerbook, the service ends with a poignant sequence in which each person speaks the names of their departed loved ones into the silence of the listening congregation. This is followed by a solo prayer leader singing the El male rachamim prayer for the souls of the departed to be held in the sheltering embrace of God; then everyone says the Kaddish, a prayer recited for centuries by mourners to affirm life and the goodness of God. It is a powerful moment. The Reform UK prayerbook completes the service with Psalm 23, words that compare God to a shepherd who offers safety to his flock through both strong boundaries, and deep compassion. Read more ›

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Shalom Aleichem, Aleichem Shalom

Composition and Audio © Alexander Massey, 26 March 2017

First performance 10 May 2017 – United for Peace – United Through Poetry – a service with readings interspersed with silent reflection and music, delivered in partnership with the Edward Cadbury Centre for the Public Understanding of Religion at the University of Birmingham.

Peace to you, to you, peace

Shalom – I wanted to begin what I have to say today with this greeting. Shalom – ‘Peace’. And I‘d like to share with you something from Jewish tradition what shalom means. It’s more than just the end or absence of war. It’s an attitude that we can adopt, a way of being, in the presence of conflict. The word shalom is connected to shleimut, meaning completeness or wholeness. Do we ever reach such a place? Perhaps not. But it makes a difference to aspire to such a state, and to take what action we can, that may take us closer to shalom. I like to think that the time we are given in this life can be dedicated to a continuous process of ‘shalom-ing’ as much as we can. But how should we set about this ‘shalom-ing’ as I have called it?

There’s a clue in a beautiful teaching about how the word shalom is spelled. Its first letter shin, represents aish – ‘fire’. Its final letter mem represents mayim – ‘water’. We find sh and mm again in the word SH-e-M meaning ‘name’, which we use as one of the names for God. And we find the same combination in the word SH-amayi-M, which means ‘heaven’. We experience peace and heaven on Earth when sh and mm, fire and water, are brought together and reconciled. Shalom is all about being prepared to embrace contradiction, engage with the seemingly impossible, and bring opposites into harmonious relationship.

What is clapping?

One of our Jewish mystics, the Baal Shem Tov, taught that when we are happy, we clap our hands. And he taught us that something very profound happens in that moment. You see, normally, my right hand likes just to get on with its business, and says to the other one: “You’re just a crazy lefty!” And my left hand likes to do its own thing, and says, “Agh – you always think you’re right!” So they don’t always get on too well. But, when they’re happy, of course, they naturally want to clap. And so the opposites come together, and they realize how important they are to each other. And the right says to the left, “Shalom aleichem”, and the left replies, “Aleichem shalom”. And then all that remains is the music, and the dance.

Omer Day 7 – Malchut of Chesed

Composition and audio © Alexander Massey 20 May 2014

Many years ago, someone commented to me that I didn’t always say ‘thank you’ when it might have been appropriate. I was shocked, and embarrassed. I was convinced I was grateful. But, for some reason, I didn’t necessarily voice or show my gratitude. And that, understandably, didn’t go down well. Over the years, I have tried to be more aware, and to do something about this. And it’s made a difference, not just to others, but also to me. I think – at least, I hope – I have become more grateful, and more aware and respectful of the positive difference that other people make to my life. And I am grateful to that person who all those years ago switched me on to this.

How does this idea of gratitude fit with day 7 of counting the omer, and the quality of malchut in chesed (sovereignty in lovingkindness)? This article presents 5 thankfulness practices (including a chant) in response to that question.

Shefa, the abundant flow of life and goodness from God, is a core concept in kabbalah. Also known as Or, ‘light’, shefa is poured into Creation, represented by the ten sefirot on the ‘Tree of Life’, so that everything is animated and sustained by it. This flow of creation, life and sustenance is God’s chesed visibly in action. This shefa/or arrives eventually in malchut (‘kingdom’), the world that we experience. The world, malchut, recipient of that ‘flow/light’, is God’s ‘throne’. Malchut is the aspect of the Divine that is most immanent, immediate and present, the Shechinah, the Divine presence revealed to us. The world around us and the life within us, are the grounded, manifest lovingkindness of God – malchut of chesed.

Our life is not something we receive from God through any kind of ‘entitlement’. It is a blessing, a gift that is neither deserved nor undeserved. That is reason enough to be thankful. But, if, as I have learned, simply feeling or thinking thankfulness may not be enough, what else can we do?

Thankfulness Practice 1 – Thank God: Modeh ani

Thank God! It’s easy to forget. But I have found, to my delight, that, with practice, it can become easy to remember. As Jews, Yehudi, our very name comes from the same Hebrew root as todah, ‘thanksgiving’ – we are, literally, ‘the people who give thanks’. The Rabbis prized gratitude so highly that they taught: “In the future all sacrifices will be abolished, except for the thanksgiving-offering. And all prayers will be abolished, except for prayers of gratitude.” (Lev. Rabbah 9:7)

As an alternative to saying Elohai N’shamah prayer when we wake up (see my article on day 1 of the omer), we are taught to recite the prayer Modeh ani. The word modeh comes from the same root as yehudi and todah, and means ‘thanks’. So we are the people who say, with our first waking breath: “I thank You, living and eternal Spirit, for giving me back my soul in mercy. Great is Your faithfulness.” I composed my own musical setting of Modeh ani as a way of anchoring the prayer in my own heart and mind. (The audio track, sheet music, and further commentary about this text can be found at http://alexandermassey.com/modeh-ani/ )

The Babylonian Talmud (Gen. Rabbah 14) interprets Ps 150:6 ‘Let all souls praise God’ as “For every breath which a person takes they must give praise to the Holy One.” While we usually think of Modeh Ani as being just a morning prayer, the Jerusalem Talmud (Berachot 4:1, 29b) suggests that we can cultivate gratitude throughout our day. Nowadays, when I feel a moment of delight, I find myself consciously saying a private ‘thank you’ to God, silently when in company, and out loud when I am by myself. Chesed is my open-heartedness towards God; the malchut aspect of that is to activate my thanks by actually saying it.

Thankfulness Practice 2 – Make blessings and count blessings

The Rabbis extrapolate from Deut. 10:12 (‘What does God require of you?’) that we should recite 100 blessings a day (Menachot 43b). These are said mostly at set times for prayer, and at meal times. But there is a deeper teaching here, that we can choose to cultivate a mindset of constant gratitude, and actively notice things that we can be grateful for. “Who is rich?”, the Rabbis asked. “Those who rejoice in their own lot.” (Avot 4:1) Another way of saying this is ‘count your blessings’. And that is not just an idea, but can be an exercise. What if we were to sit down for 10 minutes, and write down everything for which we could be grateful? And what if we were to extend that for a second 10 minutes, and keep writing? And it might stretch our gratitude muscles and give them a good workout if we continued to the end of 30 minutes, and kept listing what we were grateful for. This is recognising the grounded reality – malchut – of God’s chesed lovingkindness.

Thankfulness Practice 3 – Thank people

Thanking a person may or may not make an impact on them. But I am not sure that we necessarily thank a person in order to have an effect on them anyway. Thanking is unconditional. We say thank you simply because it is a good thing to do. The etymology of the word ‘thank’ gives us a clue to what we are doing: we are effectively saying, ‘I will think of you’. To thank is to affirm a bond of goodness between ourselves and our benefactor, and to hold that in our thoughts.

There is also a deeper layer at work here. In my day 1 article (Chesed of Chesed), I wrote about seeing another’s face as the face of God. When we thank another person, we also thank God, that force within them that enables them to give to us. God’s indwelling presence malchut/Shechinah is present in the other person’s kindness (chesed).

Thankfulness Practice 4 – Make a good day

I have found that thanking God, making and counting blessings, and thanking people have all made a difference to how I experience life. It has helped me stay hopeful, and helped pull me out of the times when I have been down. I think, over time, it has also helped me make some kind of positive contribution to others. Life is not always easy. Sometimes my steps are very faltering. Rabbi Nachman of Bratslav taught: “Every hour of the day, see that you extend and enrich that hour by filling it with extra holiness. Do the same every day of your life. Let each day be filled with more holiness than the day before.” (Likutey Moharan I, 60)

What can we do in the world of malchut with the life we have been gifted through God’s chesed? Rabbi Ady Assabi (1947-2003), in the siddur he developed in South Africa, wrote the beautiful prayer: “May I make this new day a special day. May I overcome my weaknesses and radiate around me the light of love, care and joy. May my desire for success and attainment not blind me to the needs and wants of others, especially those I love and those who depend on me. May I be able to make during this day, some real time for myself and my family, and some meaningful space for You. Help me to remember throughout the day, that my time is like a scroll; I need only write on it what I want to remember, lest I run out of parchment.”

Rabbi Assaby’s friend, my father-in-law Izzy Wainer (z’l), was renowned for transforming a particular, formulaic, throwaway line into an inspiring one. When he heard someone say, ‘Have a good day’ he would always catch the person off guard and raise a smile with the reply, ‘Make a good day!’. And he walked his talk; despite having to grapple with some big challenges, he managed to ‘always look on the bright side of life’. Malchut in chesed is about bringing more good into the world. I am so grateful for Izzy’s lesson. And having received that gift, I find myself passing in on to others.

Thankfulness Practice 5 – Pay it forward

And this brings us to the fifth thankfulness practice. If we are to ‘fill every hour with extra holiness’ and ‘make a good day’, what might that look like?

There is a curious moment in the Torah, right in the middle of the chapter detailing the laws relating to all the major festivals, including our current season, Pesach. There is a single, isolated verse that draws attention to looking after the needs of the poor (Lev. 23:22): “And when you reap the harvest of your land, you shall not make clean riddance up to the corners of your field when you reap, nor shall you gather any gleaning of your harvest; you shall leave them to the poor, and to the stranger; I am the Lord your God.” It is a timely reminder, that, when we are on a high, celebrating the festivals and our good fortune, abundance must be shared.

What should we do with the shefa/or ‘flow/light’ that we receive from God? We are taught that we are to be or goyim, a ‘light to the nations’ (Isaiah 42:6). Abraham was told by God: “And I will bless you; I will make your name great, and you shall be a blessing.” (Gen 12:2) What does it mean to be a blessing? What does that look like? We need to make sure that chesed continues to flow. The bounty that we receive – in whatever form – must be shared, or it will begin to turn sour, and diminish us. Lily Hardy Hammond wrote: “You don’t pay love back; you pay it forward.” (1916, In the Garden of Delight, Thomas Y. Crowell Co., New York, p.209[1]).

God is the source of all chesed, but we can channel that chesed in malchut. Through us, lovingkindness can become tangible. As Rami Shapiro says, we are “the way God writes symphonies and bad checks, … the way God cries over newborns and last breaths, … the way God is God”[2] in the world. Malchut in chesed means that I am master of my own expression of chesed. One powerful way to thank God for what we receive is to ‘pay it forward’, to offer goodness in whatever form we can.

So, we receive from God the flow of life and goodness. Thank God (modeh ani)! Make and count blessings. Thank people. Make a good day. And pay it forward. By doing all these things, we keep the flow going, and send it full circle back to God.

Thank you for reading!


[1] ‘Pay It Forward’ is also the title and concept for a 2000 film, starring Kevin Spacey, Helen Hunt and Haley Joel Osment

[2] Shapiro, Rami (2006) Ethics of the Sages: annotated and explained, Skylight Paths, Woodstock, p.36

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You have all been shown what is good

Music and recording © Alexander Massey 19 May 2016

“You have all been shown what is good, and what God seeks from you.
Do justice, love kindness, and walk humbly with your God.” (Micah 6:8)

[See the Hebrew original, and other translations, at the end of this article]

I love this text. ‘Do justice’ – Yes, do the right thing, make the world fairer. ‘Love kindness’ – this is an important counterbalance. Justice can sometimes be over-exacting, too severe, and lack compassion. Together, justice and kindness make a healthy and wise combination. ‘Walk humbly’ – when we walk, we are not ‘spineless’, but hold our head up with confidence, and we balance this with being humble and avoiding self-importance. ‘With your God’ – staying close to God, and nourishing that relationship, and our God-awareness are crucial to the good life. The chant includes the first half of the verse as well; this expresses our agathotropic nature (inclination to seek and grow toward goodness), and God’s invitation, command, and fervent hope that we do so. This verse from Micah is universal in its humanity. It is a sentiment that can transcend Judaism, and be meaningful amongst any group of people, whether they have a faith tradition or none. Read more ›

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Omer Day 1 – Chesed of Chesed

Music and recording © Alexander Massey 11 March 2015

(Further commentary about this text can be found in another of my articles here: Elohai N’shamah. On that page, you will find more about the symbolism embedded in the musical shapes, and simple symbolic meditative movements to accompany the chant.)

For me, there is a strong link between the theme of first day of counting the omer (Chesed of Chesed), and the prayer Elohai n’shamah, which the Talmud teaches us to say the moment we wake up (Berachot 60b). Linked to this article, there is an audio track of musical setting I composed for it; and I have also suggested two new meditations. Here are the opening words of the prayer:

Elohai n’shamah shenatata bi t’horah hi.
Atah v’rataH, atah y’tzartaH, atah n’fachtaH bi, v’atah m’shamraH b’kirbi …

“My God, the soul You have given me is pure.
You created it, You formed it, and You made it live within me [breathed it into me]. You watch over / preserve it within me …”

Why should this be the very first thing we do or say? What is so important about these words? And how do they link with Chesed of Chesed? To answer this, we need to take a closer look at the opening line.

Elohai: ‘God’ is the very first word we say. So our first conscious act of the day is to put God into the forefront of our consciousness. God is origin of everything, the essence of everything, and the ultimate destination of everything. Elohai, literally means God of me, or to me. Having both ‘God’ and ‘me’ in this first word establishes our fundamental relatedness to God. In our first moment of awareness, and word of the day, we recognise and affirm that we are bound together with God.

N’shamah is the second word spoken: ‘soul’, or perhaps ‘soul essence’ or even ‘soul-ness’. Where does our soul essence come from? From Elohai.Then the Lord God formed man [adam] of the dust of the ground [adamah], and breathed into his nostrils the breath/soul of life [nishmat chayim]; and man became a living soul [nefesh chayah].” (Gen. 2:7) Soul is our most essential connection to God. God’s breath is our breath. Our soul is made of God’s soul.

Shenatata bi comes next in the prayer – literally, ‘given, by/from You, to me’. Again, we see the intimacy between God and ourselves. ‘You’ (God) and ‘me’. And soul is a gift – t’horah hi – a gift that makes purity our very essence.

Meditation 1 – Beginning again

The implications of this cannot be over-estimated. No matter how far we may stray, and whatever our ‘missings of the mark’, there is something that always connects us to God, and gives us the possibility of being ‘theotropic’, doing t’shuvah and growing back towards God. We can start again, every day, every moment if we have to. Rabbi Nathan of Nemirov, a student of Reb Nachman of Bratslav wrote:

“The Rebbe became accustomed to constantly begin anew. Whenever he fell from his particular level, he did not give up. He would simply say, ‘I will begin anew. I will act as if I am just beginning to devote myself to G-d and this is the very first time.’ This happened time and again, and each time he would start all over again. He would often begin anew many times in a single day.”[1]

It is our God-given soul and purity that enable us to grow back towards God, give us a reason to do so, and real hope that return is possible. That God has given us this so generously is chesed, loving-kindness, in its purest form.

We can now lay out each idea, in the order it comes in the text, to produce a new ritual, a meditation to ponder or recite, with long soul-breaths between each phrase:

“God! … to me! … Soul! … is given! … by You! … to me! Purity is my essential nature.” [And we can add:] “And so, I can begin again.”

It is a kindness, and act of chesed towards ourselves to do this. There is an old Jewish story that likens our God-given soul to a bat melech, a King’s daughter who has been entrusted to our care. In Leviticus Rabbah 34:3, Rabbi Hillel talks of his soul as a guest in his own home to whom he must show kindness. To look after our soul, the life we have been given, is an act of chesed towards ourselves. We reciprocate chesed for chesed, show conscious lovingkindness towards that part of ourselves that is itself the essence of lovingkindness. Knowing we have a soul, we can give ourselves another chance, as many times as it takes.

Meditation 2 – Deep calling to deep

And we can go further. This prayer is a reminder that all humans have a soul, and have this purity and God-essence at their core. We can choose to reaffirm this truth in our mind when we do not feel well disposed toward another person. This finds an echo in the Hindu greeting ‘namaste’. Literally meaning ‘bowing to you’, its larger sense is: ‘the soul in me honours the soul in you’. This is how I interpret the line from Psalm 42:7 t’hom al t’hom korei – “Deep calls to deep”. The soul of God and my soul call to each other, a dynamic to be found between human and the transcendent God, and also between human and the immanent God to be found in the soul of another human. Chesed calls to chesed.

I think of this also as how Jacob eventually sees his brother Esau in their moment of reconciliation. Indeed, it is, perhaps the very means by which Jacob is able to bridge the gap between them: “I see your face as one sees the face of God.” (Gen 33:9) This, too, provides material for a meditation. This can be done alone, either silently or aloud, holding in mind a person with whom we want to make connection or amends. It can also be done as a spoken meditation sitting opposite a partner; with time for silent reflection in between, the partners can take turns to speak the meditation. The periods of silence allow time for contemplation of the subtle meanings and insights that can arise from the meditation practice.

“Deep calls to deep. …. I see your face as the face of God.”

The chant (and round) – Elohai n’shamah

I wrote my setting of Elohai N’shamah as a meditation for myself, and for friends with whom I daven. When chanting Elohai N’shamah, I affirm my God connection, your God connection, and therefore our inherent connectedness. When we define our encounters as soul-to-soul, then we are choosing to recognise the essential goodness that lies at the heart of each other. For me, ‘chesed of chesed’ means to recognise my soul and your soul as pure, and to look at you, and myself, with eyes of love.

[1] Rabbi Nathan of Nemirov, Rabbi Nachman’s Wisdom: Shevachay HaRan & Sichos HaRan, translated and annotated by Aryeh Kaplan (1973), Breslov Research Institute, p.8

[This article was first published in 2017 on Ritual Well here.]

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V’asu Li Mikdash and the ‘holiness project’

Composition and audio © Alexander Massey 16 Feb 2017: V’asu li mikdash v’shochanti b’tocham.

Recording with English words: “We’ll make You a holy home, and You will live with us.”

Buy the sheet music: $2.25 (approx. £1.80), minimum 4 copies

God is to be found in people, and in community

Biblical Hebrew is a language that can allow for several interpretations of a single word, phrase or sentence. Because of this, I find Biblical text beautiful and endlessly fascinating. We have a blessing for studing Torah which concludes ‘la’asok b’divrei torah‘, meaning ‘to immerse (ourselves) in the words of Torah’: Rabbi Arthur Waskow teaches of a pun he learned from Rabbi Max Ticktin, where la’asok (immerse) is translated as ‘soak’. Being both a writer of words and a musician, I love to soak myself in the meanings and sounds of Hebrew and English.

Rabbi Shefa Gold’s translation of Ex. 25:8 (the text for this chant/round) is: “Make for Me a Holy Place so that I may dwell within, among, between them.” Shefa’s wording echoes a teaching from long-held Jewish tradition, that, when a group of us intentionally creates space and time for turning to God, God dwells not in that space, but in us. This is a beautiful reminder to look for God not so much in things or objects, but in people’s actions, in relationships between people, and in people themselves.

I set this text to music (as a two part round) originally in the Hebrew, to be sung for the first time at the bar mitzvah service for my godson Gabriel (the Torah reading for that week being Terumah). Gabriel had prepared an interesting Torah experience for us with our friend Dave. They had built a small structure as a temporary mikdash (sanctuary), so that we as a community could join in a drama enactment. We were to approach the mikdash and offer a word that represented a quality that we wanted to contribute to the community. And the song was to be a prayerful meditation for us all to sing during this process.

God and humanity – meeting each other half way

Dave asked me if I could create an alternative English set of lyrics that we could sing with the music I had written for the Hebrew. For those who were not so at ease with Hebrew, this was intended to help them feel more included and connected to what we were doing; we could alternate Hebrew and English. Dave’s request was a good one. But it can be very difficult to find an English text that ‘works’. I like English song lyrics to be inspiring and poetic, with several alternative meanings if possible; lyrics can then speak to emotion as well as intellect. Otherwise, lyrics can seem somewhat didactic, prosaic, or simplistic/naive.

And then there’s the question of whether to try and create simply a translation that is as close as possible to the Hebrew, or whether to create English words that are more obviously an interpretation or expansion, or even a commentary that adds a different perspective. And whatever the approach, I like the English words to be similar to the musical rhythms that I create for the original Hebrew. That way, the original character of the music is retained, and those singing it can more easily switch from Hebrew to English without tripping up. So, with those thoughts in mind, here are some ideas that I worked through before I reached my final English version.

1. “When you make me a holy place, I live among you.”

This is a fairly close translation, which at the same time offers a universal, spiritual message. (The translation of b’tocham as ‘them’ has been switched to ‘you’.) This lyric emphasises the lived experience we have of the Divine in the process of our making the effort to create holy space and time. And the phrase ‘when you make me a holy place’ can have two meanings:

  • ‘when you (humans) make me (God) into a holy place (ie recognise me-God as hamakom – a God-name meaning ‘the Place’)’
  • ‘when you (humans) put aside a time and a place to focus on and acknowledge me (God)’

I like that possible double meaning, and have aimed to retain it in the next versions.

2. “If you make me a holy place,  I will live among you”

This lyric emphasises a more conditional, transactional relationship: if we make holy space and time, then – and perhaps only then – we will experience God. Well, the Hebrew could mean that, but that was not the sense I wanted to set to music. And such a formulation seems to exclude, or at least neglect, the reality that God, in God’s lovingkindness (chesed), can and does live amongst and within us even when we ignore or reject God. It’s just that we don’t always notice.

3. “When we make You a holy home, You live and love with us.”

(1) and (2), while more literal readings of the Hebrew, require the congregant/singer to become the mouthpiece (‘I’) of God, speaking to humans as ‘you’. I’m uncomfortable with that and it makes me feel detached and ‘dry’. When I pray/sing, I prefer to speak as me, and for the word ‘I’ to refer to me! So this version (3) – switching the pronouns – enables us to pray/sing as ourselves, expressing, I hope, the same essence in the text. And it has the advantange of our being able to use the text/chant to engage with, and address, God directly.

If possible, I like to find some English lyrics that have the same emotional/spiritual feel as the music I have composed. At least in this lyric (3), the language is beginning to feel more poetic and evocative: ‘holy home’ is alliterative (repetition of ‘h’) and assonant (repetition of the sound ‘o’), and ‘live and love’ is more musical with the l’s and v’s. Picking up on Shefa Gold’s lead, b‘tocham has been translated as ‘with us’; this feels more intimate and companionable. I have added ‘love’ as an interpretative addition to deepen the ‘feeling’ connection. However, I am still concerned that, like (1) and (2), this third lyric still feels a little theoretical, didactic and formal. And the lyric comes across as a generalisation, which doesn’t make for intimacy.

4. “We’ll make You a holy home, and You will live with us.”

This fourth version of an English lyric enables us to address God directly, from our own perspective. Perhaps, like the Hebrew, it suggests an event in the future – the arrival of the Shechinah (the in-dwelling presence of God) if we make the effort to make time and space for her. I like the aspirational feel of this version. For me, it chimes with that part of Jewish life that is about both yearning, and intention to make a better world.

The second half of the lyric has a double meaning: God’s in-dwelling might be conditional on our making a holy space, or/and it may happen unconditionally. I think this double meaning is also there in the Hebrew. As human beings, our experience happens in linear time and is dualistic. Such is the challenge of dualism that this lyric (with the use of the future tense – ‘will’) suggests we have not yet created a holy enough space, and that God is not yet in-dwelling. But to say that God is not in-dwelling contradicts the mystical non-dualistic idea that God is eternally and universally present. Put another way, is the Shechinah already here, or must we still work towards helping bring about her arrival? Chant texts – or language generally – cannot easily express dualism and non-dualism simultaneously. Sitting with this lyric, I then realised that ‘You will live with us’ does not necessarily mean that God is not already living with us. So maybe dualism and non-dualism can both be found in this lyric …

My final decision was to go with version 4. Chanting this version repeatedly to my music, I felt there was something poetic in the combination of words and music that expressed what I had been discovering with my head and heart as I ‘soaked’ myself in this verse from Torah. And it had the advantage that it could be sung collectively by a group of people, or with a slight adjustment, become a personal, private prayer: “I’ll make You a holy home, and You will live with me.” For me, with version 4 being adaptable to ‘we’ or ‘I’, this verse and chant has become a way into singing both an experience of sacred community, and an experience of sacred intimacy. We move towards God, and God moves towards us. Or is it the other way around? Who knows? But I do think that this verse is something about meeting each other half way.

The ‘holiness project’

We are told several things about holiness:

  • “You shall be holy (k’doshim); for I the Lord your God am holy.” (Lev. 19:2)
  • “You shall be to me a kingdom of priests, and a holy nation (goi kadosh).” (Ex. 19:6)
  • “Let them build me a holy place (mikdash), and I will dwell within/between/among them.” (Ex. 25:8)
  • “Remember the sabbath day, to keep it holy (l’kadsho).” (Ex. 20:7)
  • [to Moses] “the place on which you stand is holy ground (admat kodesh).” (Ex. 3:5)

So, God is holy; we are to be holy, be a holy nation, and make a holy place for God to live within/between/among us; the earth is made holy by God; and time can be made holy. All of these are part of what I call the ‘holiness project’ that is fundamental to Judaism.

As I sing these words of the chant, I feel both love (ohev) and fear (yirah – ‘awe)’. Yes, I yearn to create holiness in my own home, my marriage, my heart, my friendships, my work, my community – and to create a holy place for God. And the music is there to express the love I have, and feel, and that I want to put into this both as intention and in practical terms.

At the same time, I remember what Heschel [1] wrote: “Words of prayer do not fade. They remain alive in the holy dimension. Words of prayer are commitments. We stand for what we utter.” That is scary. I am struck by the enormity of this ‘holiness project’, and how easy it is to get it wrong, and not live up to its ideals. Sometimes, I would prefer to run away, admit defeat, and declare myself unequal to the challenge. But, in the Ethics of the Ancestors (Pirket Avot 2:16), we are told: “It is not incumbent upon you to finish the task, but neither are you free to absolve yourself from it.” And, as my beloved rabbi Zalman Shachter-Shalomi (zt”l) often said, “The only way we can get it together is together!” Truly, it cannot be done alone, but must, and can only, be achieved in community, with others.

Because of its text, this chant can be used in a variety of contexts: the opening of any service, perhaps especially at Shabbat (including mincha); community building; the dedication of a synagogue; dedication of a home (chanukat habayit); wedding; with parsat terumah; and as a private reflection. My hope is that singing these words (Hebrew or English) to this music, both in private meditation, and in community, will help strengthen us to make the holiness project real in thought, word and deed.


[1] Heschel, Abraham Joshua (1954) Man’s Quest for God, copyright Susannah Heschel 1996, p.26

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Ein Keloheinu No. 2

Composition and audio © Alexander Massey 23 Oct 2016

  1. There is none like our God: none like our Lord. There is none like our King: none like our Saviour.
  2. Who is like our God: who is like our Lord? Who is like our King: who is like our Saviour?
  3. We will give thanks to our God: we will give thanks to our Lord. We will give thanks to our King: we will give thanks to our Saviour.
  4. Blessed be our God: blessed be our Lord. Blessed be our King: blessed be our Saviour.
  5. You are our God: You are our Lord. You are our King: You are our Saviour.
  6. There is none like our God: none like our Lord. There is none like our King: none like our Saviour.

The text of the Ein Keloheinu prayer appears in the Siddur (prayerbook) of Rav Amram in around 875 CE. In some versions of this prayer, there is a final line that refers to the incense used in Temple services. As in a number of Anglo-Jewish communities, I have dropped that line and re-used the opening line of the prayer, so it comes back full circle to ein keloheinu.

I added the Amein, baruch atah in a bottom voice part because the first three verses begin respectively with aleph, mem and nun, which spells amein, and verses 4 and 5 begin with baruch and atah.  (Taken together, this means ‘So be it – blessed are You!’)

The prayer makes reference to four different names of God (Elohim-God, Adonai-Lord, Melech-King, Moshia-Saviour) in the order they first appear in the Torah (Gen 1:1, Gen 15:2, Ex 15:18, Deut 33:29). This also reflects the four worlds taught in the Jewish mystical system of kabbalah. Four in Hebrew is the letter Dalet, which means ‘door’, and can symbolise a doorway to God. The music of this setting echoes the patterns of four: each musical line is four bars long; the first half of each verse climbs through the four steps of an arpeggio (the four notes of a chord), starting each phrase on the next step (1-3-5-8). The letter yud can also be a shorthand reference to God; it stands for the number ten. Within kabbalah, ten represents the number of sephirot (spheres) on the Tree of Life, and represents ten core aspects of God. To echo this, the rhythmic patterning of each bar of music incorporates 10 quavers (fast rhythmic sub-divisions).

In writing this, I wanted to experiment with sounds evocative of Sephardi Jewish tradition. The rhythms are based on patterns of 3-3-2-2, and the melodic shapes use a 1-2-3-4-5-flat_7-8 scale. I had originally hoped that I could write something that congregations would feel able to sing. However, I think these intricate rhythms (even without singing the round, or adding the bottom part) are a little tricky unless you are used to these kinds of rhythms!

For more information on Ein keloheinu, see Wikipedia.

Possible ways to use this prayer-song

The prayer can be sung as a single, unaccompanied line (if people are musically confident enough!), but it raises the spirits if people can add either the bottom voice (repeating Amein, baruch atah …), and/or sing the main line as a two part round.

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